Hands




Hands situates the initial beginnings of Misery and The Way Out; the productions feature early cyanotype and Polaroid Emulsion Lifts onto steel fragments. Completed prints hold Archival and state-led propaganda from the 1980s fabricated into sharp pieces. The works focus on the working-class tradition, the use of the ‘hands’.














                                                                                                                                                     
                                                                               
Works exhibited at BR, Peckham